{"id":"f4f8352f-923f-46d8-a404-828f09145a71","url":"https://www.newyorker.com/culture/critics-notebook/the-art-of-getting-lost-in-minnie-evans","domain":"newyorker.com","outlet":{"name":"The New Yorker","country":"US","cred":4,"lean":-1,"curated":true},"title":"The Art of Getting Lost in Minnie Evans","plainHeadline":"Exhibit at Whitney Museum showcases Minnie Evans’s surreal, dreamlike work.","rewrite":{"model":null,"at":null},"summary":["The Whitney Museum hosts The Lost World: The Art of Minnie Evans through January next year.","Nearly one hundred Evans works were organized by Katherine Jentleson and Barbara Haskell.","Evans's drawings feature mandalas, psychedelic beings, and a vivid color palette of pinks, greens, and oranges.","Historically, Evans faced criticism as a Black woman artist deemed primitive by some critics.","Her work emerged from Wilmington, North Carolina, with early connections to photographer Nina Howell Starr."],"topics":["Startups","Internet Culture"],"lang":"eng","publishedAt":"2026-09-05T10:00:00.000Z","ingestedAt":"2026-09-05T11:00:47.307Z","story":null}